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It is college policy that harvard police be present at functions on campus where admission is charged, where donations will be accepted, or where the public safety is best served by the police presence. we strongly recommend that you reserve police detail two weeks in advance; without adequate police coverage your event will be canceled. to arrange for an officer, see capt. jack stanton or capt. linda mccaul at hupd, 29 garden street 495-0832 ; . these services must be pre-paid approximately 0 for a 4-hour minimum ; . refunds will not be granted for events canceled within 48 hours of the event. be sure to notify the harvard information office at holyoke center if the organization is planning an event that will either include a large number of participants or expect a large audience from outside of the harvard community. please give them as much information as possible, including any posters, conference performance programs, and any appropriate telephone numbers in order for them to direct your audience or guests to your event.
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Curse to disloyal followers. although snape is not present in this scene, it follows that he would be tortured if voldemort suspected that he was a spy his role as a spy becomes explicit in order of the phoenix ; . the idea that snape can be redeemed is a byronic or, perhaps, brontan ; touch, but it is neither sappy well, okay, maybe a little ; nor pulled out of thin air. during the previously mentioned 1999 radio interview, one reader asked a question about snape's "redemptive pattern" this, after only the first three potter books had been published ; . "i'm slightly stunned that you said that, " answered rowling cryptically, "and you'll find out why i'm so stunned if you read book seven." call me delusional, but i agree with the fan fiction writers who explore snape's "redemptive pattern"; it's there in the books, if you want to see it. snape does keep saving harry's neck albeit never in overt or decisive ways ; . and in half-blood prince, we finally learn the reason he left the death eaters and a possible explanation for why dumbledore trusts him-- snape felt remorse over playing a part inadvertently, he claims ; in the murder of harry's parents, james and lily. before you echo professor lupin's, "dumbledore believed snape was sorry james was dead? snape hated james . , from book six, notice where rowling cuts off that remark. snape did not hate lily. he never utters a word about her throughout the series, though he freely disses james. even before that subtle clue in half-blood prince, there was a subset of snape fan fiction that made lily the love of his life and her death the crux of his conversion to the side of good. rowling may dismiss this snape-can-be-changed stuff as more "unhealthy" girly dreaming, but fans recognize in snape's arc all the ingredients for a classic journey of redemption. fan fiction depicts snape undergoing all manner of hell, some self-inflicted, to atone for his past. it remains to be seen whether rowling and harry ; will deem snape as worthy of redemption and forgiveness as fan fiction writers have. as for the snape hermione pairing . well, okay, here's one of those points on which fan fiction writers might be a little bit, er, out there. but let us not judge. the snape hermione romance is based in part on schoolyard lore: if a boy picks on a girl and vice versa ; , it means he likes her. in the harry potter books, hermione is the only female student whom snape singles out for verbal abuse and humiliation "that is the second time you have spoken out of turn, miss granger . five more points from gryffindor for being an insufferable know-it-all, " snape tells hermione in harry potter and the prisoner of azkaban ; . and if snape verbally disciplines and humiliates students, maybe he would.
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Would move on to the next one. no muss, no fuss. "in my earlier businesses i was always looking to assemble the right team, " gross explains. "i thought, wouldn't it be great if you didn't have to do that every time you had a business idea?" gross set out to build teams that could incubate businesses quickly. idealab began rapidly prototyping his profuse outpouring of ideas and-in theory anyway-pushed only those businesses that could succeed out the door and on to greater glory as public compa- nies. idealab seeded each company to a maximum of 0, 000, made introductions to other vcs, then kept a minority interest. as gross was fond of theorizing at the time, one big hit would fund idealab forever. early on, it certainly seemed as if gross would have his one big hit, and then some. a partial listing of the companies idealab created reads like a todo list for the internet economy, circa 1998: freepc giving away pcs on the idea that internet services would pay the bill on the back end ; , citysearch local listings and information ; , tickets selling tickets over the internet ; , and etoys the amazon of toys ; , among many others. gross even launched answers -a search engine "powered by humans." sound famil- iar? yep-it was google's google answers service, circa 1998. the investing world loved gross's ideas, and for a while anyway, it loved his companies as well. ben rosen, the former chairman of compaq, was an investor in idealab and told inc.: "there are very few examples of entrepreneurs who have started more than one suc- cessful company-it's really hard to think of any that have had two big hits. bill has a chance of having a dozen hits. i think in five years' time bill gross will be as much of a household name as any household name in technology, even though today he's barely known outside of a very small circle." five years later, of course, google was the household name. but in 1998 and 1999, many of idealab's companies went public in page: 101 , total suck: 1973 a billion dollars, one nickel at a time 101 spectacular fashion, and on paper, gross and his investors got very, very rich. idealab was widely imitated as a model, as were its com- panies idealab had one of the first online pet supply companies, for example, as well as the first online cooking site ; . in a very short time, idealab took in more than a billion dollars in capital from an impressive slate of high-profile funds and individuals, built dozens of businesses, and had filed plans for its own ipo valuing itself at an astonishing billion. but like so many leaders of the early inter- net era, bill gross was smoking a little too much of his own stuff, and the party came to an abrupt and unhappy end. "for a while there it seemed like we could do an idea a month, " a somewhat chastened gross tells me. "as long as the updraft was continuing, it worked." but the updraft ended, the capital markets stopped funding concept plays, and by the middle of 2001, ide- alab investors were left holding a shattered portfolio. they eventually filed suit, demanding that gross liquidate idealab and all its holdings, so they could at least get some of their money back. for they saw in the wreckage of idealab one shining gem that could help them recoup at least some of their losses, one company that was growing like a weed despite the carnage of the dot-com bust: overture. goto : a new model for the web if google is a grand slam, then overture was a triple ripped through the gap: good, but the base runner didn't quite get home. founded in late 1997 as goto , overture remains bill gross's greatest fi- nancial success-a company he built and sold not for million, or even 0 million, but for well over a billion dollars. given the scale and scope of such an achievement, you might expect gross to be ecstatic when discussing his prodigy. instead, a tone of regret and a tinge of pain shade and poker chip set.
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65, 000 to , 000. the thieves who stole the piece either early sunday, february 17, or monday morning "would have had considerable nerve, '' said spadafora. and considerable muscle. the stainless steel piece is about six feet tall and weighs between 150 and 170 pounds, said its creator, chicago artist virginio ferrari. it was attached by a steel bolt to a marble base near the front door of the library. "it looks like [the thieves] spent some time rocking it back and forth" to break it free, said spadafora. chicago police say they were summoned to the library about 4 p.m. monday. it's unclear whether video surveillance may have caught the thieves at work. ferrari, 71, thinks it was stolen for scrap metal. about fifteen years ago, another large piece made of bronze was discovered in a scrap yard, so ferrari is cautiously optimistic umanita may be found and multiplayer video poker.
Test instance 1 instance 2 instance 3 pop 50, mut 0.05, cross 0.6 7, 425 pop 100, mut 0.05, cross 0.6 24, 240 000 156, 300 pop 50, mut 0.05, cross 0.0 30, 750 9, 000 9 ; pop 50, mut 0.05, cross 1.0 5, 840 pop 50, mut 0.1, cross 1.0 48, 075 pop 50, mut 0.1, cross 0.6 28, 250 pop 50, mut 0.025, cross 1.0 7, 595 pop 50, mut 0.025, cross 0.6 5, 250 000 table 6.3: results for parameter tests. first we assess the benefit of using an elitist strategy, and also scaling the population. we ran the ga with and without elitism, and with and without scaling, for 1000 generations, with a population of 50, a crossover rate of 0.6 and mutation rate of 0.05, on the lemmings instance shown in figure 5.1 and we analysed the average of the highest scoring solution that was found over 10 runs. the results are shown in table 6.2. as can be seen, the best performance was witnessed when both elitism and scaling were on. therefore, we conclude that elitism and scaling should be used. we then assess the effect of changing the parameters for the ga. we ran the ga using different values for the population size, mutuation probability and crossover probability parameters, ensuring that we maintained a maximum number of solutions of 500, 000, and analysed the number of solutions that were sampled in order to locate a feasible solution. we aim to minimise the number of sampled solutions required to locate a feasible solution. we repeated each test 10 times on three different lemmings instances. the results are shown in table 6.3. the ga only solved instance3 9 times out of 10 for the third test. as can be seen, there are different best parameters for the instances, as written in bold. however, the first set of parameters worked second best for all three instances. the conclusion that we came to was that this set of parameters seemed to work the best for our problem. that is, population size is set to 50, crossover rate is 0.6 and mutation rate is 0.05. these values agree with [57]. the source that provided us with parameters for this approach is different from the source for the preliminary approach. this is simply because we now have.
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| To humans or other agents [kephart et al., 2000]. throughout this paper we use the term "agent" to refer exclusively to a software agent, as opposed to a human economic agent. ; whether their main business is ontology translation, matchmaking, network service provision, or anything else, these agents will charge a fee for their goods or services, and will negotiate both as buyers and as sellers with other agents. thus they will have to be economically intelligent, capable of making effective decisions about pricing, purchasing, or bidding. if this vision is to be realized, then it must be demonstrated that, within their domain of application, agents can attain a level of economic performance that rivals or exceeds that of humans on average, without introducing undue risk. otherwise, people would not entrust agents with making economic decisions. the purpose of this paper is to provide such a demonstration. through a series of controlled laboratory experiments in which humans and agents participate simultaneously in a realistic auction a continuous double auction, or cda ; , we show that software agents can consistently obtain greater gains from trade than their human counterparts. in a sense, this work can be viewed as another chapter in the venerable ai tradition of human vs. machine challenges. already, machine supremacy has been demonstrated in twoplayer games such as backgammon, checkers, and chess, and a serious attack is now being made on games such as bridge and play free poker online [schaeffer, 2000], in which there are slightly more than two players who play in a well-defined sequence. in contrast, the number of players in the cda is typically much greater we limit it to 12 this report ; , and the moves by individual players are completely independent and asynchronous. these and other features make game-theoretic analysis of the cda intractable. another notable difference is that the successful demonstration of machine superiority in the cda and other common auctions could have a much more direct and powerful financial impact--one that might be measured in billions of dollars annually. this paper is organized as follows. section 2 defines the cda and discusses the relationship of our work to previous studies by economists and computer scientists. section 3 provides a brief overview of the technological infrastructure used in the experiments. section 4 describes the agent environment and the individual agent strategies. section 5 provides details of the market rules and experimental parameters, and.
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The picture, with a little more flesh, is this. the child finds itself in a complex physical and social setting and must acquire a set of perceptual and behavioral skills to flourish. this is not, or not primarily, a matter of learning a set of rules, so much as learning how to act and respond in fluent, highly context-sensitive ways. and it is accomplished by the slow, experience-basic training of complex on-board neural networks. the successful learner develops both "skills of recognition" and "skills of matching.behavior and the moral circumstances at hand" churchland 1996a ; p. 105 ; . the processes by which we acquire such skills are not, however, specifically moral. they are the very same processes involved in all kinds of skill acquisition and the knowledge obtained is in no way special. scientific knowledge, according to.
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It inside, glazed it, and put it in the kiln to dry. he was just putting the finishing touches on the last piece when he heard the steaming sultan of swipers. "yes, guild master?" he said politely poking his head back in the door, a pretty twinkle in his green eyes. "there you are sabrion, i thought you had run off with our delightful pottery, " the guild master changed the tone of his voice quickly. he preferred to be courteous, they asked fewer questions and needed fewer answers. "well sir, if you don't mind my impulses, i thought perhaps the pottery could use a little bit of cheering up. the entire store looked so bland, and the paints were lying around." the guild master took the unfinished pot out of the bard's hands and turned it over. the scenery he had drawn out with the oils depicted a fierce battle between a dragon and a warrior. "these are actually quite good, sabrion, " the guild master responded, slightly surprised. even he wanted to buy the vase now. "where'd you learn to paint like that?" "well, i spent most of my time using powder mixes and watercolors, so getting used to the oils and glazes took a bit of rethinking. i made a few `abstracts' and then finally got it down pat. and tada!" he announced raising a finished pot out of the kiln. it was painted with a visage of the ocean and various mythical creatures swimming in it, mermaids, aquatic elves, kraken, and others. "magnificent!" the guild master appraised, setting one down to pick up the other. "how did you get this many colors? we only had eight painting oils in stock." "basic alchemy, and color blending, i apprenticed under a master alchemist for six months. he mostly worked with paints, pigments, and dyes, " sabrion announced with great humility for himself, and pride for his former master. "magnificent, " the guild master repeated, turning each of the finished works over in his hands as sabrion brought them out of the kiln. as each of the pots turned over in his hands, a new thought turned over in his head. the guild master began to talk to himself. "beautiful, really nice, invaluable, sellable, fifty gold vasharren. heh heh." he began to price them all in his head. "sabrion, you've done so much for the pottery, how about the store?" the request was more to utilize cheap labor, and keep the bard busy, than it was an actual request. "what do you.
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'i'll take her, jared, ' one of the younger men-one of those who were really there -- said. he looked at devore with a kind of fawning eagerness that sickened me, mostly because i knew who he was: bill dean's father. a man who had grown up to be one of the most respected elders in castle county was all but licking devore's boots. don't think too badly of him, jo whispered. don't think too badly of any of them. they were very young. 'you don't need to do nothing, ' devore said. his reedy voice was irritated; fred dean looked abashed. 'he's going to hand her over on his own. and if he don't, we'll take her together.' i looked at the man on the far left, the third of those that seemed totally real, totally there. was this me? it didn't look like me. there was something in the face that seemed familiar but -- 'hand her over, irish, ' devore said. 'last chance.' 'no.' devore nodded as if this was exactly what he had expected. 'then we'll take her. this has got to end. come on, boys.' they started toward me and as they did i realized who the one on the end -- the one in the caulked treewalker boots and flannel loggers' pants -- reminded me of: kenny auster, whose wolfhound would eat cake 'til it busted. kenny auster, whose baby brother had been drowned under the pump by kenny's father. i looked behind me. the red-tops were still playing, sara was still laughing, shaking her hips with her hands in the sky, and the crowd was still plugging the east end of the midway. that way was no good, anyway. if i went that way, i'd end up raising a little girl in the early years of the twentieth century, trying to make a living by writing penny dreadfuls and dime novels. that might not be so bad . but there was a lonely young woman miles and years from here who would miss her. who might even miss us both. i turned back and saw the jackboys were almost on me. some of them more here than others, more vital, but all of them dead. all of them damned. i looked at the towhead whose descendants would include kenny auster and asked him, 'what did you d what in christ's name did you men o? do?' he held out his hands. 'give her over, irish. that's all you have to do. you and the woman can have more. all the more you want. she's young, she'll pop em out like watermelon seeds.' i was hypnotized, and they would have taken us if not for kyra. 'what's happening?' she screamed against my shirt. 'something smells! something smells so bad! oh mike, make it stop!' and i realized i could smell it, too. spoiled meat and swampgas. burst tissue and simmering guts. devore was the most alive of all of them, generating the same crude but powerful magnetism i had felt around his great-grandson, but he was as dead as the rest of them, too: as he neared i could see the tiny bugs which were feeding in his nostrils and the pink corners of his eyes. everything down here is death, i thought. didn't my own wife tell me so? they reached out their tenebrous hands, first to touch ki and then to take her. i backed up a step, looked to my right, and saw more ghosts -- some coming out of busted windows, some slipping from redbrick chimneys. holding kyra in my arms, i ran for the ghost house. 'get him!' jared devore yelled, startled. 'get him, boys! get that punk! goddamnit!' i sprinted up the wooden steps, vaguely aware of something soft rubbing against my cheek -- ki's little stuffed dog, still clutched in one of her hands. i wanted to look back and see how close they were getting, but i didn't dare. if i stumbled -- 'hey!' the woman in the ticket booth cawed. she had clouds of gingery hair, makeup that appeared to have been applied with a garden-trowel, and mercifully resembled no one i knew. she.
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